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PART V · WHAT THE COSTUME COSTS · 24 / 28

I’m Not An Accessory

brown is fashionable right now. not history, not repair, not redistribution — just the look. apparently the trade was access for silence.

A South Asian woman steps away from a gilded display frame and plinth while a man continues posing beside the empty frame.
The man is still posing with the display. The woman has stepped out of it.

Brown is fashionable right now.

Not history.

Not repair.

Not redistribution.

Just the look.

The accent that signals depth.

The passport stamps.

The intelligent brown woman who makes a man feel like he’s read more books than he has.

I move through white worlds with ease and class.

I know the codes.

I know when to smile.

I know how to make men feel cultured just by standing next to them.

I am the accessory men want.

Brownness works best when it’s curated.

Educated.

Palatable.

The kind that adds texture to the room without rearranging the furniture.

Until I talk.

Because when I talk about race, class, gender, labour, power— the mood shifts.

Suddenly I’m “a lot.”

Suddenly I’m intense.

Suddenly they miss the quiet version of me who nodded more.

Apparently the trade was access for silence.

That part was not on the menu.

There is a marketplace operating underneath all of this.

Men don’t call it that.

The deal seems to be:

I bring intelligence, taste, range, global texture.

They bring confidence.

And occasional yelling.

I’m allowed in as long as I don’t disrupt the script of gratitude.

As long as I don’t name what the room is built on.

As long as I don’t remind anyone that ease has a supply chain.

And honestly—if I’m going to trade, I’m not trading my voice for proximity to some mediocre man who thinks being adjacent to me counts as depth and screaming counts as leadership.

If I have to trade, I’m trading for the highest bidder.

Because here’s the thing they don’t realize:

I’m not an accessory.

I’m more like owning an Arab race horse.

Everyone loves the idea.

The beauty.

The lineage.

The way it looks standing still.

Very few are prepared for the upkeep.

I come with needs.

Space.

Care.

Attention.

Respect.

I don’t thrive in small stalls.

I don’t perform well when shouted at.

I don’t exist to make you feel impressive in front of other men.

You don’t get the prestige without the responsibility.

You don’t get the elegance without the cost.

You don’t get the power without learning how to handle it.

Men want the symbolism.

They want to say they have me.

They don’t want to feed me, train with me, listen to me, or be changed by me.

They want the photo.

Not the daily work.

And the funniest part?

If you try to control me, I don’t break.

I run.

So no—I’m not fast fashion brownness.

I’m not here to be worn for cultural credibility.

I’m not here to decorate a life that can’t hold me.

If you want something quiet, grateful, and decorative— you can afford plenty of that.

If you want something alive, powerful, demanding— you’re going to need more than confidence.

You’re going to need capacity.

And most men don’t have it.