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THE ESSAYS · TWENTY-EIGHT PIECES · SIX PARTS

Ease Has A
Supply Chain.

One long argument about power, written a piece at a time. Who gets to rest. Who gets to fall apart. Whose body absorbs the risk so someone else’s doesn’t. Which rooms open like automatic doors, and for whom. I write from the middle of the river — brown, immigrant, neurodivergent, fluent in both the language of survival and the language of power — and I refuse to pretend I can’t see both banks.

“No one is free. Some damage just comes with a pension.”

FROM PART II · WHAT THE BODY PAYS

POWERLABOURRACECLASSGENDERIMMIGRATIONRESTEACH PIECE OPENS ON ITS OWN PAGE.
START HERE · SIX

if you only read six, read these. the full collection follows.

PART I

The Architecture Of Ease.

who inherits it, who provides it

01 Ease Is Not Confidence. It’s Inheritance. in who leans back instead of forward. in who lets silence stretch without filling it. institutions mistake the first for leadership. READ →
02 The Ease Lens for three years i lived beside someone for whom the world opened like an automatic door. proximity to ease reveals the architecture of the world. READ →
03 Bridges they did not inherit ease. they learned how to perform it. mistrusted by both sides of the river, and carrying the memory across. READ →
04 Who Enjoys The Labor, And Who Does The Labor one side of the block enjoying, one side producing. the noise came from the centre. the integrity came from the margins. READ →
05 Who Drew The Lines a maid in a santa monica hallway. modern slavery dressed up as polite exchanges and paychecks, wrapped in the illusion of choice. READ →
PART II

What The Body Pays.

labour, risk, and who absorbs it

06 The Cost Isn’t On The Receipt an oil change, open doors, no masks. signs about smiling. no signs asking what this work costs — not per hour, over years. READ →
07 Some Damage Comes With A Pension three jobs, three bodies, one hierarchy of acceptable harm. we don’t eliminate risk. we assign it. READ →
08 Brown And Black Lungs a multi-million-dollar green recycling facility. not robotics. not AI. every single person on that line was a worker of colour. READ →
09 Agricultural Heritage, Or American Hypocrisy the people who pick the grapes, bottle the wine, wash the dishes — and the ones sipping $48 rosé. what happens if immigrants disappear. READ →
10 The Daily Cost Of Empathy Shutdown capitalism doesn’t just extract labour. it extracts nervous systems, and rewards the least harmed for looking the most capable. READ →
PART III

Rest, And The Right To Fall Apart.

the most unequal resource in the world

11 The Right To Rest rest is a privilege. rest is a resource. rest is a form of power. and most people don’t have it. READ →
12 Unravelling: Who Gets To Fall Apart Safely? some unravel on a sabbatical. others unravel in bathrooms, in cars, between shifts. that’s not resilience. that’s privilege. READ →
13 After Truman he opens the door, he bows, roll credits. nobody talks about what happens next. leaving the illusion isn’t the ending — it’s the birth. READ →
PART IV

Extraction With Nice Stationery.

universities, fellowships, mentors, missions

14 Burn The Mold universities are where old men recite old books written by old men. keep the learning. burn the limits. keep the curiosity. burn the compliance. READ →
15 Is Your Mentor Real, Or Just Using You? a seven-question quiz. real mentors multiply you. users deplete you. real mentors see your fire — users want to cook with it. READ →
16 Unpaid Labour In Drag eight tests for whether your fellowship is a job. if your work is replacing a staff member, you’re free labour. fellows aren’t punished. workers are. READ →
17 Passion Replaces Pay the climate sector extracts the passion of its workers the way extractive industries extract resources — just with a greener logo. READ →
18 Break The Chairs we stood in a yard swinging hammers at perfectly good chairs so they could be “recycled.” the chairs weren’t the only thing splintering. READ →
19 Carbon Theater we planted trees, but nobody asked why they were removed. adaptation without justice is planned exposure. READ →
20 In The Mud how many executives have stood on the floor where their product is made? if your system wounds others and your suit stays clean, you’re not building. you’re extracting. READ →
PART V

What The Costume Costs.

gender, and the men the system made

21 What He Carries Home he doesn’t scream at the system that broke him. he screams at the people who love him. this is how violence reproduces without villains. READ →
22 The Costume boys on a basketball court, pulling masculinity tight. this is how it’s enforced — not by fathers, not by teachers, but by boys terrified of being the one left uncostumed. READ →
23 Older Women Get Lighter older men get smaller. it isn’t age, it’s training — feelings outsourced early to mothers, then to wives. meaning was never out there. READ →
24 I’m Not An Accessory brown is fashionable right now. not history, not repair, not redistribution — just the look. apparently the trade was access for silence. READ →
PART VI

Who Gets To Build.

systems, escape, and the only inheritance that holds

25 The Rooms Were Never Designed For Them pitch rooms in SF and San Mateo, a woman keeping her baby warm two blocks away in the same cardboard. let’s stop mistaking comfort for genius. READ →
26 How Systems Turn People Into Systems every system has three characters: the ones it breaks, the ones it blesses, and the ones who refuse the blueprint. READ →
27 How To Exit The Hatch an adventure game for immigrants and people of colour. the hatch was never a ceiling. it was a test — and one player breaking through levels up the whole team. READ →
28 The Only Wealth They Cannot Colonize my father’s legs burned at twenty-five, and he walked again. they can own your time. they can never touch the place where your imagination lives. READ →
THE THESIS

We don’t eliminate risk. We assign it.

Every one of these pieces asks the same question from a different room: who was protected from the consequences? Being read in a boardroom, a fellowship, a vineyard, a hotel hallway — and printed as a collection when it’s finished.

commission a piece → read them as they publish →
poetica— SABA KHALID · saba@poetica.studio